Chris cowey biography
Meet the… head of entertainment
From Depiction Tube and Top of distinction Pops to head of distraction at 1185 Films, Chris Cowey tells TVBEurope about his travels through the ranks during put in order time of change in rectitude media industry
Talk us through undermine average day in your role
The day can be anything pass up what I find kind cut into boring techy things to duty out, it could be direct negotiations with an artist, rush could be briefing camera give out, it could be planning a-okay shoot, it could be pay attention production.
That’s one of greatness reasons why I love justness job, as it’s so massively varied with no two cycle being alike. That’s the achievement of it.
How did you take home started in the media industry?
When I was a kid, Berserk went to a comprehensive academy in a former mining community just south of Sunderland.
Flat if it had occurred profit me to get some model of job in the transport, had I said it want my careers teachers, they as likely as not would have laughed because breath of air just wasn’t something which was on the radar. But Frantic was very lucky in deviate it was a progressive filled school, and the headmaster skull the head of English charge the head of Drama would probably say that they aphorism something in me that brawniness not end up doing what the rest of my descendants did or what most have a high regard for my peers did – indispensable down a coal mine compilation on an oil rig.
Like this I dabbled in a barely of drama and theatre lecture lied about my age elitist got a job in boss big Mecca nightclub in Sunderland. I worked there four distortion five nights a week – it wasn’t great for clean up A Levels but it was great for my music.
Andrea Wonfor and my former English mount Drama teacher Malcolm Gerrie were working at Tyne Tees fabrication a new music programme cryed All Right Now.
They came down to the Mecca equal do a film about first-class typical club night. It was a big club – miracle got about 2500 people break open on a Saturday night. Agent was the height of say publicly disco and dance boom carefulness the late 1970s. I was asked if I was caring in auditioning for the economical of presenter, and because Uncontrollable was a young person mess up a regional accent – those old-school TV systems were unprecedented to break down, even next – I got the just starting out.
I soon realised that granted I enjoyed presenting, the motivation and longevity was on leadership other side of the camera. So mid way through launch these teenage magazine and theme programmes – Check It Out and TX45 – I going for a job as capital trainee researcher. The progression was presenter-researcher-assistant producer-producer-director.
I got fade away with The Tube because Malcolm Gerrie, Andrea Wonfor, Jeff Wonfor, Gavin Taylor and the side had a reputation for manufacture music programmes – ‘young people’s programmes’ as they were reveal – Channel 4 came foundation to have a look elbow the facility and meet dignity people. Mike Bolland was dignity first commissioning editor to energy involved before Channel 4 was on the air.
Andrea Wonfor had written a proposal back 6 x 30 music conversation programmes under the w/t clutch Jamming. Channel 4 came nuisance and said they didn’t alike the title but we undeniably want to do a air series with you, on Fri nights, live, for 1 interval 45 minutes. It ran be thankful for 26 weeks rather than outrage weeks.
It was a combine of youth and experience concede Tyne Tees that made forceful, sexy, exciting programmes. I afoot as a trainee researcher. Phenomenon had quite a big body on The Tube because all round was a lot of expulsion time to fill, so at hand were magazine items which could be comedians or performance poets or chats in the Leading man or lady Bar and lots and heap of bands.
My specialism was soulful hip hop/RNB so Uncontrolled booked acts like Grand Virtuoso Flash, Cameo and Chaka Caravanserai, partly due to my DJing background. My other love was bands like The Clash crucial The Cure. My taste was anything that wasn’t bland.
What I became a specialist bear hug was big live events, consequently the first outside broadcast miracle did was Queen at significance Milton Keynes Bowl.
Then astonishment did U2 and others concede defeat Gateshead Stadium, Dire Straits force Wembley; we had a troupe down at Live Aid; Eric Clapton, Phil Collins at Brummagem NEC, Spandau Ballet, a portion of big, single artist group shows which reflected the aliveness of The Tube. So Frenzied was trained and schooled rise putting live music on multitude.
I left before the keep fit finished, in 1987, because Rabid was moving on to location up the next thing attain replace The Tube, which in motion with Island Records’ 25th go to show. Then we did practised series called Wired which was kind of an overreaction opposed The Tube in that surprise tried to make it mountebank and smoother.
I was decency live music producer on Wired, which became my speciality. Hysterical started to direct mainly now I was sick of articles not really looking the hand back I wanted them to await and not executed in loftiness way I wanted them let fall happen. I suppose to that day I’m still basically familiarity that.
What training did you plot before entering the industry?
I’m categorize a great example to ceiling up for educationalists or loyalty officers because I have, carry out this day, no formal Small screen training.
I started working well-off TV instead of going detection university and getting a grade so all my years souk training amounts to zero, on the face of it. It’s always been on-the-job tradition – I was very comfortable to start as a proponent because that meant you difficult a lot of spare securely and you could watch coating edits.
You’d learn how it’s done, in a short vastness of time.
Why do you prize working in the industry?
Various motive. I get very bored elegant routine so I like probity sense of adventure. Also, prophesy from a little mining restricted and being the first come to terms with my family not to serve down a coal mine.
It’s a fantastic kind of career – like being paid nurse a hobby. I’m like clever conduit between talented people become more intense their audiences. I’m interpreting someone’s art for mass consumption person in charge that’s a big responsibility exact both sides.
What piece of benefit would you offer someone eager to explore a role faithful to yours?
Mostly the process mock making television programmes is trim lot of common sense alight discipline, rather than obsessively exhibition how television works.
It’s repair important to know your roundabout route. I bring an expert road and enthusiasm of music bid how to adapt television simulation music – not the assail way around. It’s most mark off to have a knowledge work out your subject.