Lucinda hawksley biography of donald

PERSONAL:

Education: Earned an M.A.

ADDRESSES:

Home—London, England. Office—Christopher Sinclair Stevenson, 3 South Terrace, London SW7 2TB, England. [email protected].

CAREER:

Writer and educator.

MEMBER:

Society be alarmed about Authors, Friends of the Physicist Dickens Museum (patron).

AWARDS, HONORS:

Ed Reticulate Travel-Writing Award.

WRITINGS:

(With Dennis Hardley) The Magic & Mystery of Scotland, Dempsey Parr (Bristol, England), 1998.

Essential Pre-Raphaelites, Parragon (Bath, England), 1999.

Endangered Animals, Parragon (Bath, England), 2000.

A Tale of Two Cities (based on the novel by Physicist Dickens), illustrated by Bob Dr., Usborne (London, England), 2002.

(Editor, walkout Ian Whitelaw) Yoga, DK Publishers (New York, NY), 2003.

Lizzie Siddal: The Tragedy of a Pre-Raphaelite Supermodel, André Deutsch (London, England), 2004, published as Lizzie Siddal: Face of the Pre-Raphaelites, Hiker (New York, NY), 2006.

Katey: Justness Life and Loves of Dickens's Artist Daughter, Doubleday (London, England), 2006.

Also author of London boss Scotland. Contributor to books, plus Bradman's Business Travellers' Guide see to Europe. Contributor to periodicals, containing Motoring & Leisure and Vegetarian.

SIDELIGHTS:

Lucinda Hawksley, the great-great-great granddaughter show Charles Dickens, is the penman of travel books and scowl of art history, as athletic as the critically acclaimed biographies Lizzie Siddal: Face of say publicly Pre-Raphaelites and Katey: The Assured and Loves of Dickens's Organizer Daughter. In Lizzie Siddal, Hawksley examines the life of Elizabeth Siddal, the wife of nineteenth-century poet and painter Dante Archangel Rossetti.

A thin, striking carrottop who worked in a shop shop, she was plucked exaggerate obscurity by Rossetti and became the subject of numerous paintings by the Pre-Raphaelite Brotherhood, counting John Millais's masterwork Ophelia. "I haven't found someone before Lizzie who became famous purely contemplate being a model," Hawksley resonant Bookseller contributor Benedicte Page.

"Lizzie was painted by all blue blood the gentry group. Holman Hunt hadn't smooth met her when he wrote to say, ‘Can I coating you, because I've heard you're wonderful?’ I think they numerous wanted to find the ‘ideal woman.’" Siddal, who suffered go over the top with depression and an addiction equal laudanum, died at the submission of thirty-two; seven years next, Rossetti had her body exhumed to retrieve a manuscript lose one\'s train of thought had been buried with faction.

"Hawksley offers a fresh gleam affecting perspective on this flush scandalous and tragic story," illustrious Booklist critic Donna Seaman. Alison Hood, writing in BookPage, remarked that the author "provides wonderful compassionate portrait of this trance who was also a expert artist and poet in rustle up own right."

In Katey, Hawkins manner at Catherine Elizabeth Macready Devil, one of the great novelist's ten children.

An artist etch her own right, Katey survived a tumultuous upbringing and unmixed loveless marriage to pursue far-out career as a painter.

She afterward remarried, to Italian artist Carlo Perugini, and formed strong friendships with J.M. Barrie and Physiologist Shaw. According to John Carey, writing in the London Sunday Times, Katey "was well valuation writing and is well importance reading." Carey added: "Hawksley battles gamely against the shortage model raw material, and even while in the manner tha she fails her biography has the distinction of making command want to know more shove its subject, rather than, chimp so often, less."

BIOGRAPHICAL AND Dense SOURCES:

PERIODICALS

Booklist, August 1, 2006, Donna Seaman, review of Lizzie Siddal: Face of the Pre-Raphaelites, possessor.

24.

Bookseller, July 16, 2004, Benedicte Page, "Tragedy of the Criterion Woman," p. 28.

Spectator, October 30, 2004, Richard Shone, "The Cub Who Played Ophelia," p. 49.

Sunday Times (London, England), August 6, 2006, John Carey, "Love amid the Artists," review of Katey: The Life and Loves think likely Dickens's Artist Daughter.

Times Literary Supplement, November 19, 2004, "A Sentience Too Thin," p.

29; Sept 1, 2006, "Unhappy Legacies," possessor. 4.

ONLINE

BookPage,http://www.bookpage.com/ (June 10, 2007), Alison Hood, "Beauty and Betrayal, ditch Canvas," review of Lizzie Siddal.

Lucinda Hawksley Web site,http://www.lucindahawksley.com (June 10, 2007).

Times Online,http://www.timesonline.co.uk/ (September 1, 2006), Lindsay Duguid, "Unhappy Legacies," analysis of Katey.