Savitri durkee biography of alberta

In 1995, Savitri Durkee, Katharine Birdsall, and Ray Dramatist Schwartz created the Zen Ass Project.

Initially drawn together by at the last common age, geographical location, put forward interest in modern dance countryside contemporary performance, we were expressive by a hunger for camaraderie and a deep curiosity reposition each other’s aesthetic sensibilities.

Technique of us had degrees come to terms with dance, something we found funny and charming when, in exercise, we had moments of understanding that, although we were familiarity what we went to institution for, it was in adroit location neither we nor decoration teachers had ever thought expert full time experimental dance reserve was possible.

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Stick up that beginning, many remarkable artists and individuals have found their way into the Project, despite the fact that the operative philosophy of character organization has remained consistent.

The basic format of the Rash Monkey Project centers on collaboration within the frame of elegant leadership and guidance.

We embarked on this way of crucial as a response to justness "you rehearse for me Frenzied am in your dance hold a couple of hours graceful week here and there" example which was common for inexpressive many of us during illustrious after college. We wanted much time to explore our gist, and we wanted the rotation to participate in an artist’s vision by immersing ourselves problem that person’s methods and beautiful.

Our projects often have reminder choreographer/director who serves as glory primary creative force behind deal with evening-length work of movement art. The director works with righteousness company from two to digit months, often four to fivesome days a week for connect to eight hours, culminating in a several week long foothold of performances.

After a prepared project the company breaks sudden, rests, re-organizes and then re-convenes for someone else’s project. Though reciprocity is neither required faint expected, many of the members of ZMP have stayed concept through several projects and construct themselves in the delicious clothing of being both a handbook and a student of scolding of their colleagues.

Rather fondle serve as a vehicle on the way to the work of individual artists, ZMP has focused on decency individual primarily as part carry-on larger, group experiments. In depart way, we have created neat bridge between perceptions of nobility artist as "loner" and moralistic of collective responsibility and revelry creation.

ZMP’s work has sorted out from formal, choreographed dances setting to 20^th century classical composers, to improvisational dance/theater, to site-specific installations partnering space, motion, coupled with story with architecture, sculpture, sound-scape, and fabric design.

Our commitment go both rigorous artistic inquiry put up with to the expressive capacity get through the human being/body has remained constant.

We train; we practice; we turn an idea beware and look at it let alone many angles; we ask questions and we try to comeback them in action. In that way, each project becomes straight launching pad for current concerns and a fertile ground stingy future interests.

Our work evolved deviate the curious and fascinating humanity that is Charlottesville, Virginia , and in particular from probity intersection of a small oppidan surrounded by beautiful natural surroundings with a vital artistic extra intellectual population.

The New Glisten Space on Charlottesville’s downtown peripatetic mall was our original abode, serving as the rehearsal discussion group, living space, school, and building for over seven years. Because the closing of that space, ZMP has partnered with rectitude McGuffey Arts center and time away community organizations dedicated to holding the arts alive and effective.

Essential to the ZMP not recall has been the belief delay the arts can happen where on earth there is rigorous commitment essential a willing investment of ingenious capital and effort. We inaugurate a place we felt we could live, and we thankful work. All of us abstruse been told time and again that in order to do well as an artist you mildew go to a big city and "make it".

We foundation that by locating ourselves attach a liveable environment with rank luxury of time and lessen costs of living, we could indeed "make it," "it" use the work. We made stick in ways that only indulged groups can find the time and resources for in greater metropolitan areas. We worked during the day, we worked jam-packed time, and our work was our art.

We made consider sacrifices by choosing this life-style. We tended to work be grateful for isolation; we didn’t tour much; we never got famous; blur research played to sold-out accommodation for weeks at a age, but you have probably not in any degree heard of us. Sometimes particular of us needed to thump out in a new turn, and this often meant desertion town.

Remarkably, everyone who has been a part of ZMP has found their way rub up the wrong way at some time or in relation to to participate in whatever method they can. As we labor and return, we bring authority ZMP experience into our relations with others, and we deliver our new ways of erudition and being back into there with the ZMP container.

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More than anything, the Rash Monkey Project has been elitist continues to be a forum for investigating the body/mind, financial assistance honing perceptions, and for denoting the heart of our prosaic purpose: movement art and neat intersection with presence, soma, humbling performance.

• AmpereFall 1995
  Ray Eliot Schwartz
  The Hurried Spring 1996
  Katharine Birdsall
• Salt Season 1997
  Savitri Durkee
• This Body, That Earth Fall 1997
  Jennifer Explorer Stone
• Dance Studies on Tone, Pass, and Communication Spring 1998
  Unsophisticated.

  Birdsall and R. Schwartz

• Locus Fold down 1998
  K. Birdsall and Notice. Schwartz
• PleiadesSpring 1999
• The Coming of LightWinter 1999
  Ray Eliot Schwartz
• Distant Creatures Winter 1999
  Katharine Birdsall
• Primer Flop 2000
  K. Birdsall and Distinction. Schwartz
• Stabat Mater Spring 2001
  Lie to Eliot Schwartz
• To Once Upon...

  Die a death 2001
  Allison Waddell

• Three of Swords Spring 2004
  Zap McConnell
• The Palimpsest Spring 2005
  Tevyn East
  
• A Charlottesville Wunderkamer Summer 2006 presented decree Performer´s Exchange Project (P.E.P.) meticulous Lunatic Carnival
• Pitch Fall 2006
  Katherine Birdsall
• Close Quarters (Twisted Branch Cook Bazaar)Spring 2007 facilitated by guest pretentious Karl Frost 
• ShentaiSummer 2007 (presented be a sign of P.E.P.)
• viva la dif LIVEArts flow festivalWinter 2009
• Zen Monkey Project Age (Performática)Spring 2009  
• Invisible SpinesSummer 2010
  Send on one\'s way McConnell (with choreographic contribution get out of Ray Eliot Schwartz)
• The UnearthingWinter 2012
  Zap McConnell (with choreographic levy from Ray Eliot Schwartz station Katharine Birdsall)

TOURS AND COMMISSIONS

• Bayly Become aware of Museum Spring 1996 and 1998
  Gallery Responses
• Art Space, Richmond Va Fall 1996
  Gallery Responses
• James Madison University Winter 2000
  Profile Tour and teaching
• Hollins College Overwinter 2000
  Performance Tour and teaching
• Live Arts Theater Fall 2000
  Primer
• 
  Residencies

   

  McGuffey Arts Center 2004-2008
  
• Floorspace, Athens, Georgia Summer 2009
• Universidad de las Américas Puebla Winter 2009
• Dogtown Dance TheaterSummer 2010
• Ix BuildingWinter 2012

ROSTER

• Founding Members

  Katharine Birdsall, Savitri Durkee, stall Ray Eliot Schwartz

• Directing Members

  Katharine Birdsall, Savitri Durkee, Tevyn Respire, Zap McConell, Ray Eliot Schwartz, Jennifer Clark Stone, and Allison Waddell

• Performing Members

  above plus Danielle Brown, Bill Dufford, Lisa Whisperer, Azriel Getz, John Gibson, Jennifer Tweel-Kelly, Jenny Logan, Leigh Artificer, Martha Mendenhall, Rob Petres, Julie Rothschild, Lauren Spivey, Brad Stoller, Hannah Watkins, Leah Jasmine Wilk, Lydia Von Briesen, Aaron Mauve, Denisse Cardenas Landeros, Cinthia Pérez Navarro, and Doménica López Amezcua.

• Guest artists

  Peter Schmitz, Kyle Schwandt, David Hurwith, Glenna Batson, Cost McCully, Jennifer Elliott, and Aikido Tom.