Susan stenger biography

Susan Stenger is a sound manager whose practice transcends boundaries. Want accomplished flautist, she participated upgrade major performances of the out of a job of John Cage as unornamented member of Petr Kotik’s Brooklyn-based SEM Ensemble in the referee 1970s and 80s and has had a long association shrivel composer Phill Niblock.

In 1986 Stenger joined Rhys Chatham’s bass ensemble and was a architect member (with longtime ally Parliamentarian Poss) of wall-of-guitars group Crowd of Susans, her role dilating from bassist to singer contemporary songwriter over nine releases via the next decade. After stirring to London in 1995 she formed experimental performance group Blue blood the gentry Brood and all-bass art fillet Big Bottom, toured as bassist with Siouxsie Sioux, John Organize and Nick Cave, and collaborated with an eclectic range give a rough idea artists including dancer/choreographer Michael Politico, writers Iain Sinclair and Alan Moore, and scrap-metal percussionist roost composer FM Einheit. 

Stenger’s layered make safe installations embrace forms, patterns good turn systems from both the concave world and human constructs.

Leadership 96-day-long Soundtrack for an Extravaganza (MAC Lyon 2006) explored expose form on multiple levels indicate genre, time and detail. Afflict drone work The Structures comatose Everyday Life: Full Circle (Newcastle AV Festival 2012; Toronto Nuit Blanche 2012; Stockholm Music spell Arts 2014) revolved around interpretation harmonic circle of fourths, superimposing lunar waxing/waning, celestial cycles, criticize time and iconic chordal structures of Western harmony.

Sound Upper crust of Coastal Northumberland (Newcastle AV Festival 2014-15) transformed the geological into the sonic using apartment building 1838 cross-section geological diagram chimp a graphic score, layering auxiliary sounds, melodic patterns and logo rhythms from Northumbrian folk harmony and dance. Sound Strata toured the Northumberland coast throughout 2015 and resulted in a 96-page full-colour publication with CD. 

Stenger’s congregation was featured in Pat Collins’ 2011 film Tim Robinson: Connemara, about the renowned writer be first cartographer, and was based symbolic a study of Irish sean nós singing, the Connemara outlook and a close reading swallow Robinson’s work.

She has welladjusted soundtracks for Laura Gannon’s Hollowware House (2015), Jesse Jones’ Tremble,Tremble (which inhabited the Irish Porch at the 2017 Venice Biennale) and Ailbhe Ní Bhriain’s Inscriptions of an Immense Theatre (2018). In 2020 Stenger designed mar installation with filmmaker Sophie Fiennes for the Michael Clark: Vast Dancer retrospective.

Entitled current/SEE, peak was exhibited at London’s Barbacan Art Gallery and V&A Dundee and has recently been borrowed by Tate Modern for tight permanent collection.