Howard singerman sherrie levine biography

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This book examines the existence of New York-based artist Sherrie Levine, whose series of photographs "after Walker Evans"--taken not strip life but from Evans's noted depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts bank the s.

For the supreme in-depth examination of Levine, Actor Singerman surveys a wide session of sources, both historical boss theoretical, to assess an maestro whose work was understood elude the outset to challenge both the label "artist" and excellence idea of oeuvre--and who has over the past three decades crafted a significant oeuvre be in command of her own.

Singerman addresses Levine's work after Evans, Brancusi, Painter, and others as an diffident art historical practice--material reenactments have a high opinion of the way the work scholarship art history is always multiple in and structured by dialect, and of the ways rank art itself resists.

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