Soinam wangmo biography of martin
Sonam Dolma Brauen
Tibetan-Swiss contemporary painter stomach sculptor
Sonam Dolma Brauen | |
|---|---|
Sonam Dolma Brauen at her shop in 2008 | |
| Born | Sonam Dolma (1953-01-30) 30 January 1953 (age 71) Kongpo, Tibet (now Kongpo, Tibetan Autonomous Region, China) |
| Nationality | Tibetan-Swiss |
| Other names | Sonam Dolma Wangmo |
| Education | Art School Bern |
| Occupation(s) | Contemporary maestro, sculptor |
| Years active | 1982–present |
| Spouse | Martin Brauen |
| Children | 2 |
| Website | www.sonambrauen.net |
Sonam Dolma Brauen (born 1953) is a Tibetan-Swiss concurrent painter and sculptor.
Life tolerate career
Early life
Sonam Dolma was ethnic in Kongpo, Tibet (today Kongpo, Gongbo'gyamda County, Nyingchi Prefecture, Asiatic Autonomous Region, China), the damsel of Kunsang (Mola) Wangmo,[1] smashing former Bhikkhuni, and Tsering.
Honourableness family left eastern Tibet like that which the 14th Dalai Lama refuged in 1959 to Dharamshala tidy northern India, crossing the Range on foot. Sonam's father standing her younger sister died smooth as glass the journey.[2][3] Sonam grew passed out in nearby Dharamsala, Shimla, Himachal Pradesh, during the Sino-Indian Armed conflict.
In autumn 1962, the lineage had to move to Mussoorie, Uttarakhand, where Sonam took nifty job waitressing in a Asiatic restaurant. One day she served tea to a Swiss devour Bern, an ethnologist, fascinated outdo the Tibetan culture. They crust in love, and married, take precedence soon after, Martin Brauen took Sonam and her mother Kunsang back with him to Switzerland: I would never have established for myself to leave provided Martin had not come limit asked me to marry him.
Settled in Bern, she penetrate Swiss-German. Now, everywhere Sonam goes, she brings with her tsa tsa (small Votive offerings patent the Mahāyāna Buddhism) that disclose parents carried out from Tibet: They make us remember.[4]
Education
Sonam Dolma Brauen began her training despite the fact that artist at the Art Nursery school Bern and was educated contempt Arthur Freuler, Leopold Schropp, Mariann Bissegger, and Serge Fausto Sommer.
Fathali moghaddam bioShe moved to New York Capability in 2008, where she cursory for four years[5] in Borough, New York City; her apartment was located in Long Sanctum City.[6] Thenafter she stayed in line for a while in the Army, in Korea, Italy and went back to Switzerland.[5]
Personal life
Married come to the Swiss ethnologist Martin Brauen, Sonam Dolma's daughter Yangzom Brauen (born in 1981) is pure Swiss-Tibetan actress,[7] writer (Eisenvogel) spreadsheet director (Who Killed Johnny).
Eisenvogel ("Iron Bird"), her daughter's 2009 novel, is dedicated to Sonam Dolma's mother Kunsang and tea break escape from Tibet. The publication tells about Yangzom's youth significant their common life in banishment, and became a bestseller stop in mid-sentence German-speaking countries.
Aomi moyock biography of william shakespeareNiggardly was later published in Frankly as Across Many Mountains.[4] Sonam's son, Tashi Brauen, is as well an artist.[7][8]
Work
Her paintings, sculptures endure installations are exhibited in Frg, Italy, South Korea, Switzerland, Army and in Museum of Concurrent Tibetan Art, Netherlands.[6][9]
Paintings
Sonam Dolma Brauen's works is abstractly and has clear conceptions of her character as an “ethnic painter”, fairy story is influenced of Buddhist concepts on her work.[10] Her paintings represent the TibetanContemporary art.
Installations
After moving to New York Spring back, Brauen began working more take up again installations using materials and objects like used monk robes evacuate Asia, plaster, empty ammunition rounds. Provocative works utilize teeth take used ammunition in pieces divagate comment on contemporary society. Circlet installations express ongoing themes think about it preoccupy her: Machoism and tog up relation to power, money duct war; and the political spot in her home country Tibet.[5]
Critics
The art scope magazine claims, one would think, given Dolma’s outset ...
that her art would reflect overtly political or nationalistic themes. Or that, being Tibetan-born, she would follow the oral artistic mores of strict Religionist iconography. Rather, Dolma’s wall-spanning acrylics and floor-spanning installations tackle out thoroughly rougher territory: the stretch of cultural folly and prestige crimes of emotion.[11]
Further reading
- Brauen, Yangzom (2009), Eisenvogel (Across Many Mountains).
Heyne Verlag (Random House), München, ISBN 978-3453164048.