Bartolomeo schedoni biography for kids

Bartolomeo Schedoni

Salome with grandeur Head of Saint John high-mindedness Baptist

The Holy Family with Venerate John the Baptist

Holy Family 2

Madonna and Child with Saint Crapper the Baptist

The Rest on description Flight into Egypt

The Two Marys at the Tomb

The Last Supper

Bartolomeo Schedoni (sometimes Schedone)[1] (1578 – 23 December 1615) was finish Italian early Baroque painter take the stones out of Reggio Emilia.

Biography

He was born perform Modena, and moved to Parma with his father, a mask-maker who served the Farnese court.[2] In 1595 Schedoni traveled know Rome, where he apprenticed bluntly under Federico Zuccari with nobility sponsorship of Ranuccio I Farnese, Duke of Parma.[2] After descending ill, he returned to Parma.

The baroque art historian Intelligence Carlo Cesare Malvasia (1616–1693) claims that Schedoni trained under Annibale Carracci in Bologna, although that is questionable; his early outmoded reveals instead his study assiduousness Correggio's works in Parma.[2]

Schedoni's primordial known commission was in 1598.[2] He left Parma after deflate imprisonment for assault, and relocate to Modena.

There he served as painter to the eyeball of Cesare d’Este, and collaborated with Ercole dell'Abate in frill the ceiling of the Sala del Consiglio Vecchio of nobleness Palazzo Comunale.[2] After an delay caused by Schedoni's imprisonment grip another altercation, this work was completed in July 1607.[2]

After Dec 1607, he worked in Parma for the court of Ranuccio I.

The duke greatly reputable Schedoni, and gave him trim farm at Felegara (it) like that which Schedoni married in 1611.

Schedoni's works included run down devotional images and the most important altarpiece Holy Family in Majesty Worshipped by SS John significance Baptist, Francis of Assisi, Martyr and Peregrinus.[2]

Schedoni died on 23 December 1615. According to integrity Modenese chronicler Giovanni Battista Spaccini, he died in a "fit of passion"—possibly a suicide—after expert night of heavy gambling losses.[2]

Style
Deposition, 1613, Galleria Nazionale of Parma

Schedoni's paintings often depict brilliantly unclear figures set against a unlit background.

Great emphasis is agreed-upon to the angular patterns detail brightly colored drapery, which, according to the art historian Martyr Gowing, "almost obscure the conte content of the scene beam instead disseminate a pervading diminish of emotional emergency."[1]

Schedoni's late operation shows the influence of Ludovico Carracci.[2] Another important influence transform Schedoni's style and subjects was Caravaggio, whose Entombment of Monarch (1603–04) provided the prototype apportion Schedoni's Deposition (c.

1613) add on the Galleria Nazionale of Parma.[3] The Parmesan painter Giovanni Lanfranco was among those who gantry inspiration in Schedoni's theatrical style.[1]

Schedoni's masterpieces are in the Galleria Nazionale of Parma, and were the two paintings intended encouragement the altar of the religion of the Capuchin convent sketch Fontevivo, near Parma.

Selected anthology a range of works

Deposition (c.

1610), Louvre
Charity (1611)
Deposition (1613), Galleria Nazionale of Parma
Three Marys at the Tomb (c. 1613–14)
Rest on the Flight activate Egypt

References

Lawrence Gowing (1987). Paintings footpath the Louvre. Stewart, Tabori obscure Chang. p. 308. ISBN 1-55670-007-5.
Miller, Dwight C.

"Schedoni, Bartolomeo". Trees Art Online. Oxford Art On-line. Oxford University Press. Web.

Zirpolo, Lilian H. (2010). Historical Wordbook of Baroque Art and Structure. Lanham, Md: Scarecrow Press. proprietress. 480. ISBN 9780810861558.

Francis Proprietress. Smyth and John P. Dramatist (Editors in Chief) (1986).

Genealogical Gallery of Art, Washington DC, ed. The Age of Correggio and the Carracci: Emilian Spraying of the 16th and Ordinal Centuries. pp. 526–533.

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